August Burns Red

Syracuse Shows presents

August Burns Red

Of Mice And Men, The Color Morale, The Overseer

Monday, September 3, 2012

Doors: 6:00 pm / Show: 6:45 pm (event ends at 11:00 pm)

The Lost Horizon

$23.00

This event is all ages

August Burns Red
August Burns Red
"I definitely don't feel like we're the 'new guys' in the scene anymore. We have our sound figured out at this point," says
AUGUST BURNS RED guitarist JB Brubaker. "But it was time to break some rules."

Since the release of AUGUST BURNS RED's 2009 breakout album, Constellations – which landed the metal juggernauts at #24 on the Billboard 200 – the Lancaster, PA-based genre giants have found themselves in some rather unexpected places. From the cover of Alternative Press to Fox's "American Dad," from the sands of Dubai to the Warped Tour, from Japan to Australia to South America, AUGUST BURNS RED crisscrossed the globe time and again on the road to the top of the hard rock heap.

When it came time to record their fourth full-length album, Leveler, ABR could have played it safe, could have simply cashed in on their previous success by making Constellations II. Instead, after eight years and a quarter of a million albums sold, AUGUST BURNS RED scrapped the old game plan and followed their sound where it led them. The direction, as it turns out, was both forward and backward. On Leveler, the band recaptured the hungry, ferocious heaviness of their earlier albums, and at the same time bravely indulged some of the more creative impulses they had previously stifled. The breathtaking result is nothing short of a game-changer.

"The biggest risk we took on this album was not limiting ourselves to stay inside the standard metalcore box," says Brubaker. "If there was a part that didn't sound like a traditional metalcore part, we ran with it and made it as wild or unorthodox as we wanted. We've been motivated to progress as a band and push ABR in different directions, while maintaining the characteristics that made us the band we are in the first place." Illustrating that point is the album's second track, "Internal Cannon," arguably Leveler's most out-of-the-box track, which manages to stay utterly brutal while employing a samba clean section, a salsa-esque solo, and another section seemingly destined for a Quentin Tarantino film. It's definitely metal, but the jury's still out on the "core."

"I think that's one of the advantages to being on your fourth album," Brubaker says of the band's experimentation." We have a dedicated group of listeners who are supportive of us trying new things and breaking some of the unwritten rules of metal. It's a luxury we are very thankful for and do not take for granted."

Balancing out a rich surplus of inventive clean guitar sections and blistering solos on Leveler is crushingly heavy riffage not heard from AUGUST BURNS RED since 2007's Messengers. Also present is the virtuoso playing of Matt Greiner, already one of metal's premier drummers, who takes his craft in even more dynamic directions. "The drumming is more technical on Leveler," Brubaker says. "I'm confident that this is the best performance Matt has ever given on an album."

Also making strides on Leveler is vocalist Jake Luhrs, whose personal journey from a life of substance abuse to the frontman of one of metal's most talked-about bands was well-documented in AUGUST BURNS RED's band-defining cover story in Alternative Press. In reuniting with producer Jason Suecof, who also manned the boards for Constellations, Luhrs pushed himself to deliver a profound and emotive performance. "Suecof is great with vocals and I personally connect with him well," Luhrs says. "We do have our tiffs when it comes to producing vocals, but it's because we really have a heart for lyrics and vocals. We end up hugging it out."

"It was like stepping back into a laboratory with a mad scientist two years after that chemical explosion incident," Brubaker says of reuniting with the metal wizard. "We went with Jason again because we love how clean and crisp he makes our albums sound. His production is top notch and he brings great ideas to the table in all facets of the process."

With the release of Constellations, AUGUST BURNS RED became a band that could no longer be ignored. They debuted in the Top 25. They toured alongside peers like A DAY TO REMEMBER and LAMB OF. They co-headlined the AP Tour and, this summer, will serve as headliners for the entire 2011 Warped Tour, and will be touching down for tours in Southeast Asia, Europe and Russia. Most importantly, they grew and connected fiercely with a colossal legion of fans, as the three-quarters of a million "likes" on their Facebook page attests. And that is why, with the release of Leveler, AUGUST BURNS RED will prove to be an absolute pillar of their genre.

"Our fans keep this band above water. If we have fans, then we have ABR," says Luhrs. "I honestly didn't know if we'd get to this place, to call myself a touring musician and it be my only source of income AND it being my dream... wow! Music is our passion and it's what we want to be doing. We intend to keep doing it as long as we can."
Of Mice And Men
Of Mice And Men
Strength often comes from starting over. In the aftermath of a disruption, calamity, or tragedy, there’s a process of restoration. Southern California quintet Of Mice & Men refer to it as Restoring Force. Not only does that serve as the title for the group’s third full-length album for Rise Records and follow-up to 2011 breakout The Flood, but it also sums up their unbreakable spirit. Enduring lineup shifts and a constant uphill battle to be heard, the band—Austin Carlile [lead vocals], Alan Ashby [rhythm guitars], Phil Manansala [lead guitar], Aaron Pauley [bass, vocals], and Valentino “Tino” Arteaga [drums]—emerges stronger than ever.

“What happens after a disaster? What happens after The Flood?” asks Carlile. “You return to normal. You find balance again. That’s what we felt like we were doing with this album. We officially added Aaron, and this is exactly where we needed to be with our sound. We wanted this record to bring equilibrium back to our band and music. We’re letting everyone know that we’re here to stay. We’re Restoring Force.”

Embracing that mindset, they headed to House of Loud Studios in New Jersey to record with producer David Bendeth [Paramore, Breaking Benjamin] at the start of June 2013. Through intense recording sessions, they challenged themselves and expanded their signature style. As a result, they penned pummeling, passionate, and powerful anthems that teeter between searing screams and magnetic melodies.

“David is a character,” smiles Carlile. “He brought out the best in us by pushing us to the absolute limit. That’s why we wanted to work with him from the beginning. He worked us, shaped us, and molded us. We loved him sometimes, and we hated him others. He helped us reach a new level though.”

Part of the group’s ascent involved the incorporation of Pauley into every aspect of the creative process. His soaring hooks proved the perfect counterpoint to Carlile’s crushing screams.

“It was the first time we had every actually recorded together,” Carlile goes on. “He’s our brother, and he’s an incredible vocalist. I remember one night we were doing pre-production early on, and Aaron had some reservations. He was down on himself, and he didn’t know if he was cut out for it. I told him, ‘You’re the person who delivers that final punch and emotion. You’re the one who sends it home for us. Trust yourself’. The next day, he showed me ‘Feels Like Forever’.”

The track builds from a polyrhythmic riff into an utterly unforgettable refrain. It’s artfully heavy and chaotically catchy.

“I saw Aaron’s struggle in the studio, and I had the same struggle two weeks later,” admits Carlile. “I broke down. I was mentally, physically, and spiritually exhausted. That song takes me back to making this record. When we finished it, I was so reassured. You can always come out of any low point.”

Elsewhere on the record, “Bones Exposed” snaps from staggering guitars into a percussive onslaught led by the frontman’s inimitable growl and cinematic lyrics.

“This one’s heavier,” he affirms. “I was bitter, angry, hurt, and wounded. It’s about somebody you really don’t like at the moment. At the same time, we’re all broken. We’re all messed up. We’re all liars. We’re all sinners. We’re all flawed. None of us are perfect so you have to let it go at some point. It’s like a cut. If you leave it alone, it heals. Otherwise, you scratch it until the bones are exposed.”

Meanwhile, “Would You Still Be There?” merges the melodic and metallic seamlessly, and “You’re Not Alone” seesaws between an uplifting refrain and guttural verse. The latter touches on a larger theme for Carlile.

“The theme of the record is togetherness, working together, and being a family,” he reveals. “I want our listeners to know they’re not alone. We’re all going through it with them.”

The fans won’t take his words lightly. The group has become a veritable phenomenon worldwide, selling out shows across North America all the way to Australia, Europe, and beyond. The Flood reached #28 on the Billboard Top 200 and garnered praise from the New York Times, Rock Sound, Alternative Press, and more. With sales surpassing 125,000 and YouTube streams over 16,000,000, The Flood remains one of the most successful releases in 22 years of Rise Records.

In the end though, Restoring Force is a pivotal moment for Of Mice & Men that sees them gain power like never before.

“Of Mice & Men has outgrown all of us,” concludes Carlile. “It’s bigger than the individuals comprising it. It’s bigger than the album. It has become its own thing. It’s more than just a rock group. I want this album to get people thinking and talking. It’s different. There are no cryptic messages. This is purely meant to move you.”

Force has effectively been restored for Of Mice & Men, and they’re ready to conquer.
The Color Morale
The Color Morale
The Color Morale is a post-hardcore band from Rockford, Illinois. The group is currently signed to Rise Records. They have released two albums to date, We All Have Demons, released on September 1, 2009, and My Devil In Your Eyes, released on March 8, 2011. Shortly before the band's second album was released, bassist/vocalist Justin Hieser left the band for reasons that have not been clarified. On July 18, 2011 the band announced they had been sponsored by Schecter. Justin Hieser returned to the band after sorting out some personal issues and is now the rhythm guitarist.
The Overseer
The Overseer
When speaking with the members of Arkansas hard rock outfit THE OVERSEER, one phrase comes up time and time again: "In the moment." But it's not because the hotly tipped band wants to focus on the here-and-now. It’s because they want to transcend it.

It's become something of a mission statement for the band, the desire to make music that can elevate, that can transport the listener to a place that's emotionally honest ... and that can stir up one hell of a mess in the moshpit, as anyone who's heard their artfully pummeling riffage, savage breakdowns and vocal cord-rupturing vocals can attest. "I'd like to say that the music we write is more than just ‘in the moment,'" says vocalist Anthony Rivera. "We're looking to write something that stands the test of time, that people can look back on and still enjoy 10 years from now."

Drawing inspiration from likeminded artists such as THRICE, UNDEROATH and AS I LAY DYING, THE OVERSEER delivers hard-hitting, uncompromising hard rock that belies the members' young age. This isn't "cash in on the latest trend" music, it's "sweat and tears" hard rock, with a little blood thrown in for good measure.

Showing they've got the work ethic as well as the talent it takes to make it in the musical big-leagues, THE OVERSEER have proven themselves to be completely devoted to the rock and roll life, even when it meant hitting the road for 400 grueling days in the last two years as an unsigned band. The relentless push to connect with fans around the country has been a dynamic and rewarding experience for the band - if not always glamorous. "There's really nothing like sleeping in a van in a different Walmart parking lot every night and showering once a week - or less," laughs bassist Bradley Riggs. "Touring is a challenge, but it makes it a lot easier when you can do it with guys who you completely trust in life. We've seen the world together and been through a lot, both great and terrible. We probably know each other better than we know ourselves."

All of that hard work paid off when the band achieved one of the goals the members had set from the beginning - getting signed to Solid State Records, home to so many of the bands that indirectly helped to shape THE OVERSEER’s sound. With the ink still drying on the deal, the band set out to do what it does best - work hard. The members headed into Atlanta's Glow in the Dark Studios with Matt McClellan to record an as-yet-untitled debut album - the first taste of which was released to fans in January 2012 in the form of the hard-hitting lead single "Secrets."

Once the album is complete, it will be time for THE OVERSEER to do the OTHER thing they do best: Tour, tour and tour, taking their music and their spiritually-minded message to eager fans. "I expect great things to happen for us over the next few years. We believe in hard work and hopefully we can leave an impression on a our listeners and maybe become a musical influence to them in the future," Riggs says. "We know our most exciting days on the road are to come, and that keeps us moving forward."

Forget living "in the moment." THE OVERSEER are living for the future, and it looks like a bright one indeed.
Venue Information:
The Lost Horizon
5863 Thompson Rd.
Syracuse, NY, 13214
http://www.thelosthorizon.com