Say Anything

Syracuse Shows presents

Say Anything

Murder By Death, The Sidekicks, Tallhart

Tuesday, October 16, 2012

6:00 pm

The Westcott Theater

$16.50

This event is all ages

Say Anything
Say Anything
"With great power comes great responsibility." Surely a meaningful quote, but who can take credit for it? Thomas Jefferson? Sigmund Freud? Socrates? Nope. Spider-Man. It goes to show how something sort of profound can spring from an unlikely source. Any reluctant underachiever can make a difference: nerdy dude who gets bit by a mutant spider or awkward bipolar kid in a vaguely "indie" punk-pop band. That is the premise behind the band and the new self titled record Say Anything - we are in danger and any one of us has the power to save us. It's a fitting concept for a cult-favorite band who, on November 3rd, will release a definitive artistic statement aimed at the masses.

Like the origin of any unlikely hero, Say Anything was forged from conflict: a feisty young punk band from Hollywood formed during the birth of "hipster" elitism, always out of place. In that day any group of rich kids with a penchant for the Velvet Underground and enough five o'clock shadow could be paid millions of dollars to be walking billboards for "anti-culture" consumerism. Say Anything shunted pretension, choosing initially to play sincere and nervous rock music and opening locally for the touring bands they closely identified with (The Weakerthans, Rilo Kiley, The Promise Ring). A few years passed and songwriter Max Bemis continued to feel alienated from the collegiate "scene;" He witnessed young rebels devolve into the counter-culture clichés they sought to avoid in the first place, "reverse psychology" victims of homogenized humanity. By identifying this mass-marketed "hip" lie, Bemis found his "arch villain" and, imbued with purpose, Say Anything's music became a new monster - as theatrically pop-based as it was angular and dark. Influenced by bands like Fugazi, The Who, Botch and Smashing Pumpkins, Say Anything dually expressed its irreverence through sing along punk and almost awkwardly confessional Woody Allen-esque lyrics.
Murder By Death
Murder By Death
On the surface, Murder By Death is a Bloomington, IN quintet with a wry, ominous name. But behind the geography and moniker is a band of meticulous and literary songwriters matched by a specific brand of brooding, anthem-riding balladry and orchestral indie rock.

Murder By Death's path began in the early 2000s as most Midwestern college-town groups do, by playing to small crowds at ratty venues and frenzied house parties. While many of their formative-year scene-mates failed to make it much further than campustown's borders, Murder By Death translated their anonymous beginnings into a 10+ year career founded on a bedrock of five full-length albums, tireless D.I.Y. touring and performing ethics, and, most importantly, a dedicated, cult-like fanbase.

Since the band began in 2001, their audience has blossomed due in part to extended tours alongside similarly hardworking musical kin such as Against Me!, Gaslight Anthem, Lucero, William Elliott Whitmore, Ha Ha Tonka, and others. Through more than 1,000 performances across the United States,

Canada and Europe, Murder By Death has gained word-of-mouth devotees and support from the likes of media outlets like SPIN Magazine, who said of the band, "They brawl like Johnny Cash's cellmates or dreamily swoon like Nick [Cave], stomping saloon floorboards in 4/4 time as grand strings fade into high noon."
What resonates most with supporters is the band's energetic, unique, and altogether consistent sound and conceptualized vision. The personnel and ingredients of the group consist of Sarah Balliet's throaty cello melodies, singer/guitarist Adam Turla's booming baritone vocals and brawny guitar strumming, drummer Dagan Thogerson and bassist Matt Armstrong's locked-down, post-punk rhythm section interplay, and Scott Brackett's (formerly of Okkervil River and Shearwater) multi-instrumentalist bag of tricks (including piano, trumpet, accordion, mandolin, vocals, percussion). The overriding sound is an amalgamation of textures ranging from dark and desolate to upbeat and brightly melodic, all of it landing somewhere under the orchestrated indie rock umbrella.

The other mainstay signature element of Murder By Death's identity has been built by the overriding concepts behind each individual album. Every successive effort conjures up fresh imaginative and tactile worlds – whether it's the battle between the Devil and a small Western town (Who Will Survive and What Will Be Left of Them?, 2003), an arid land of death and redemption (In Bocca al Lupo, 2006), or just songs inspired by a retreat into the Tennessee mountains (Good Morning, Magpie, 2010).

On September 25, the band releases their newest full-length and Bloodshot Record's debut Bitter Drink, Bitter Moon. The album was written throughout 2011 in a basement in southern Indiana, and recorded in winter 2011 in Dallas, TX with producer-in-demand John Congleton (Explosions in the Sky, St Vincent, Black Mountain).
The Sidekicks
The Sidekicks
The Sidekicks are a punk band from Cleveland, Ohio. They are currently signed to Red Scare.

Matt- Drums....
Steve-Vocals & Guitar.. ..
Ryan-Bass....
Matt- Guitar & Vocals...
Tallhart
Tallhart
Tallhart [formerly known as Marksmen] are back with a new EP, Bloodlines, and its six tracks are a gorgeous display of indie-rock melodies and post-rock instrumentation, tinged with folk influences and delivered with heart. There's the sunny, youthful vibe of [the aptly titled] "Drunk Kids," the hushed acoustics leading to soaring instrumentation on "Wolves," and the rich and woody, dark vibes of album opener and first single "Fever (Sister of Mine)." All fuse together to create a unique and thoughtful offering, which you can now spin in full with this exclusive premiere. The EP officially drops April 10 via Equal Vision Records.
Venue Information:
The Westcott Theater
524 Westcott Street
Syracuse, NY, 13210
http://thewestcotttheater.com